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New China Eyewitness takes top spot in 2018 Book Design Awards

By Media Releases, News

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre took home the accolades and the awards for two categories plus the best overall book design, at the PANZ Book Design Awards announced on Thursday 26 July at a ceremony in Auckland.

New China Eyewitness won the Penguin Random House New Zealand Award for Best Illustrated Book and the HarperCollins Publishers Award for Best Cover, before collecting the Gerard Reid Award for Best Book sponsored by Nielsen Book.

‘As a complete package, it’s exquisite,’ said David Coventon, convenor of the judging panel. ‘New China Eyewitness is a fine example of respectful and thoughtful production values. The paper stock is beautiful. The finely-tuned, nuanced attention to detail makes for a striking and high-quality end product. It accomplishes a great deal of refinement in the face of a complex and demanding set of design requirements.’

Rachel ClarkRachel Clark took home the award for Allen & Unwin Young Designer of the Year 2018 for her portfolio of work which included The Art of Simple by Eleanor Ozich (Penguin Random House), Bird Words edited by Elisabeth Easther (Penguin Random House), Heloise by Mandy Hager (Penguin Random House) and Hideaways by Hilary Ngan Kee and photography by Sam Stuchbury (Penguin Random House).

‘Clark’s design was well-developed, confident and demonstrated a clear response to the subject at hand,’ said judging panel member, Janson Chau. ‘Typography, so often a giveaway for an inexperienced designer, is used thoughtfully with an eye on contemporary practice. Her work can already sit equally among those in other categories, as the judges were impressed to find upon reaching this category after the others.’

There were 110 entries for this year’s awards indicating the art of good book design across commercial and independent publishers, and university presses is in good health, with publishers valuing the investment great design brings.

The PANZ Book Design Awards 2018 Winners Are: 

Gerard Reid Award for Best Book Sponsored by Nielsen Book

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Penguin Random House New Zealand Award for Best Illustrated Book

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Upstart Press Award for Best Non-Illustrated Book

Allen Curnow Biography and Poems Slipcase edition by Terry Sturm. Edited by Linda Cassells, Elizabeth Caffin and Terry Sturm (Auckland University Press), cover design by Sarah Maxey, interior design by Katrina Duncan

Scholastic New Zealand Award for Best Children’s Book

Aotearoa: The New Zealand Story by Gavin Bishop (Penguin Random House), design by Vida and Luke Kelly, Kelly Design, illustrations by Gavin Bishop

Edify Award for Best Educational Book

The New Zealand Art Activity Book: new edition by Helen Lloyd (Te Papa Press), designed by Kate Barraclough, Kate Frances Design

1010 Printing Award for Best Cookbook

Eat Up New Zealand by Al Brown (Allen & Unwin New Zealand), designed by Gary Stewart, The Gas Project

HarperCollins Publishers Award for Best Cover

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Mary Egan Publishing Award for Best Typography

A Moral Truth edited by James Hollings (Massey University Press), cover design by Gideon Keith, Strategy Creative, interior design by Gideon Keith and Carla Sy

Allen & Unwin Young Designer of the Year 2018

Rachel Clark for The Art of Simple by Eleanor Ozich (Penguin Random House), Bird Words edited by Elisabeth Easther (Penguin Random House), Heloise by Mandy Hager (Penguin Random House) and Hideaways by Hilary Ngan Kee with photography by Sam Stuchbury.

 

For full details of the winners, visit the PANZ Book Design Awards website.

PANZ International Conference 2018: Publishing DOES Matter

By News

Publishing Matters: Fresh Perspectives, New Directions was the title of the PANZ International Conference and the programme posed some big questions about the state of the industry in 2018.

 

Questions that were answered with thoughtfulness, clarity and innovative thinking by a diverse range of keynote speakers, all of whom left attendees with valuable insight to take back to their everyday roles. Hugo Setzer, Vice President of the International Publishers Association, gave himself no small task when he set out to address Why Publishing Matters in the opening keynote. Citing a whole range of reasons the industry is crucial, he then asked if we need to get “more Californian” in how we sell ourselves, giving the example of the big tech companies and the emotional connection they offer consumers. Hugo also gave a really clear overview of the work the International Publishers Association does, highlighting the two key issues they are currently focusing on – copyright and the freedom to publish.

Nerrilee Weir, Senior Wrights Manager, Penguin Random House Australia then gave an incredibly insightful overview of the current state of play in the world of rights sales in Global Markets : Finding Your New Zealand Fit. She shared lots of interesting anecdotes and was very candid with details of her own personal approach and insightful about the challenges faced by Antipodean publishers. Promisingly, she believes there’s never been a better time to be selling rights from ANZ authors.

Diversity in publishing is a hot topic, both locally and internationally, so the panel of the same name garnered a lot of interest from the crowd. Gita Jayaram (consultant, Diversity Works), Eboni Waitere (executive director, Huia Publishing), Anton Blank (director, Oranui) and Josie Dobrin (CEO of Creative Access) collaborated on a wide-ranging discussion of the issues and opportunities a more diverse publishing workforce brings.

Denise Cripps might have had the slot before lunch, but her fascinating insight into The Transformative Power of Education kept people’s minds off their rumbling stomachs. Her address was just as interesting for those in trade publishing and there were lots of discussions over lunch around the implications of what she spoke about concerning language development in young children.

The afternoon saw the group split for two workshops. Children Interacting With The Page looked at the current state of play in children’s publishing with a panel made up of Jenny Hellen (publisher, Allen & Unwin), Matt Comeskey (publishing manager, Lift Education), Lynette Evans (publishing manager Scholastic NZ) and Catherine O’Loughlin (publishers children’s, Penguin Random House NZ) discussing what’s working and where things are headed. Augmented reality, sing-a-long stories and beautifully illustrated books with longevity emerged as key trends.

The group then came back together for Louise Sherwin-Stark, CEO of Hachette Australia, who gave a workshop entitled Does Amazon Keep You Awake at Night?. Louise posited that maybe it should, but not for the reasons you think. She assured the audience that Amazon wasn’t something to worry about and then elaborated on the opportunities it brings. As well as offering insight into Amazon and some of their processes, Louise’s presentation was an incredibly practical guide to nailing online sales and there was lots of frantic scribbling as attendees jotted down her wisdom.

The last session of the day saw Joan Mackenzie in conversation with Juliet Rogers, CEO of Murdoch Books and current CEO of the Australian Society of Authors, to deliver Lessons from the Bookshop Floor.  Joan talked about her long career in the industry and her passion for what she does, stating she “loves getting books into people’s hands”.  As someone who reads about 8 books a week, she believes good book buying is a mixture of art and science. She offered helpful insight into what makes the perfect book for Whitcoulls and emphasised the importance of stock being available when marketing and publicity hits.

The evening’s dinner provided a more relaxed opportunity for conference delegates to socialise, with feedback from many that it was a great opportunity to get to know others in the industry and develop and strengthen those crucial networks.

Martin Green of Pantera Press brought incredible energy and passion to his address Behind the Curtain: Finding and Lifting Your Publishing Ambition, which started off detailing what a horrible world we live in. He talked about Pantera’s desire to create an innovative new model of publishing and their belief in being a social purpose business. He outlined all the ways they affect change and support organisations working in literacy and education. Martin urged those present to set their goals ridiculously high, stating that way if you fail, you’re still above everyone else. Further emphasising this, he told the room that if think you’re too small to be effective you’ve never been in the dark with a mosquito.  Martin’s conclusion? “The world sucks and it’s not fair and we can make a difference.” Read Martin’s full speech here.

The conference closed with a very fitting final keynote.  Josie Dobrin addressed Inclusivity and Diversity in Publishing: Why We Should All Care. As well as detailing the incredible work Creative Access has been doing in the UK, she also left publishers with a series of practical steps they can take to better encourage diversity within their company. Josie really emphasised the point that it’s not enough to just hire people from the diverse backgrounds, you also need to make sure the office environment is welcoming – “Don’t just open the door. Invite people in”.

In his summing up, PANZ president Peter Dowling said that he hoped people would take a chance to digest all they’d learnt before they got stuck back into their day jobs. This was a concept supported by Martin of Pantera Press, who had commented that they like to give their staff space to imagine and strategise and urge them to take a day at home just to think. Getting away from the office and having space to absorb new ideas is the biggest advantage of attending a conference like this, with many attendees making comments to this effect.

Between all the buzz, noise, debate, encounters and networking that took place over the two days of the conference there was definitely plenty of proof that publishing matters.

The best of New Zealand’s book designs come under tight scrutiny but the shortlist has been announced

By Media Releases, News

It appears it’s not just the cover a book is judged on as the judges announce the finalists in the 2018 PANZ Book Design Awards.  The weight of stock, the binding and the smell of the entries all came under close scrutiny from the judging panel.

‘The judges all did their fair share of lifting, sniffing, flipping and pondering the multifaceted design decisions,’ says the convening judge, David Coventon.  ‘From paper stocks to spines and binding, print finish, typographic tendencies and idiosyncrasies, we were impressed by the high-quality outcomes.’

From some 110 entries, the judges have whittled out a finalist list of 33 books across eight categories:

Penguin Random House New Zealand Award for Best Illustrated Book

Aberhart Starts Here by Lara Strongman with Laurence Aberhart (Christchurch Art Gallery Te Puna o Waiwhetū), designed by Peter Bray, Christchurch Art Gallery Te Puna o Waiwhetū

The Domain by Gavin Hipkins (Victoria University Press), designed by Philip Kelly

the merrier by Miranda Parkes, Sharon Dell, Robyn Notman, Sophie Bannan, Andrea Bell (Hocken Collections, Uare Taoka o Hākena, University of Otago), designed by Daniel Blackball Alexander

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Strangers Arrive by Leonard Bell (Auckland University Press), cover design by Spencer Levine, interior design by Katrina Duncan

Upstart Press Award for Best Non-illustrated Book

Bird Words edited by Elisabeth Easther (Penguin Random House), designed by Rachel Clark

Blood Ties: New and selected poems 1963-2016 by Jeffrey Paparoa Holman (Canterbury University Press), cover design by Aaron Beehre, interior design by Aaron Beehre and Gemma Banks, Ilam Press

Edmund Hillary: A biography by Michael Gill (Potton & Burton), designed by Lisa Noble and Annabelle Archibald, Paperminx

A Moral Truth edited by James Hollings (Massey University Press), cover design by Gideon Keith, Strategy Creative, interior design by Gideon Keith and Carla Sy

Selected Poems: Ian Wedde by Ian Wedde (Auckland University Press), cover design by Philip Kelly, interior design by Katrina Duncan

Allen Curnow Biography and Poems Slipcase edition by Terry Sturm. Edited by Linda Cassells, Elizabeth Caffin and Terry Sturm (Auckland University Press), cover design by Sarah Maxey, interior design by Katrina Duncan

Tears of Rangi by Anne Salmond (Auckland University Press), cover design by Keely O’Shannessy, interior design by Katrina Duncan

Scholastic New Zealand Award for Best Children’s Book

Annual 2 edited by Kate De Goldi and Susan Paris (Annual Ink), cover design by Toby Morris, interior design by Gary Stewart, The Gas Project

Aotearoa: The New Zealand Story by Gavin Bishop (Penguin Random House), design by Vida and Luke Kelly, Kelly Design, illustrations by Gavin Bishop

Helper and Helper by Joy Cowley, illustrated by Gavin Bishop (Gecko Press), designed by Vida Kelly

The Longest Breakfast by Jenny Bornholdt, illustrated by Sarah Wilkins (Gecko Press), designed by Vida Kelly

Summer Days by multiple contributors (Penguin Random House), designed by Jenny Haslimeier, cover illustration by Vasanti Unka, Vasanti Unka Design

Tu Meke Tūī! by Malcolm Clarke (Little Love), designed by Anna Egan-Reid, Little Love, illustrations by FLOX AKA Hayley King

Edify Award for Best Educational Book

Bright Ideas for Young Minds by multiple contributors (Mary Egan Publishing), designed by Anna Egan-Reid, Mary Egan Publishing

How to Mend a Kea by Janet Hunt (Massey University Press), designed by Janet Hunt

The New Zealand Art Activity Book: new edition by Helen Lloyd (Te Papa Press), designed by Kate Barraclough, Kate Frances Design

New Zealand’s Great White Sharks: How science is revealing their secrets by Alison Ballance (Potton & Burton), designed by Chris Chisnall and Robbie Burton

Tūrangawaewae edited by Trudie Cain, Ella Kahu and Richard Shaw (Massey University Press), designed by Kate Barraclough, Kate Frances Design

1010 Printing Award for Best Cookbook

Angelo’s Wild Kitchen by Angelo Georgalli (Beatnik Publishing), designed by Sally Greer, Beatnik Publishing

Eat Up New Zealand by Al Brown (Allen & Unwin New Zealand), designed by Gary Stewart, The Gas Project

The Forest Cantina HOME by Unna Burch (Unna Burch), cover design by Unna Burch and Bonny Beattie, interior design by Amanda Peirson

Homegrown Kitchen: Everyday recipes for eating well by Nicola Galloway (Potton & Burton), designed by Lisa Noble and Annabelle Archibald, Paperminx

Little Bird Goodness by Megan May (Penguin Random House), designed by Kate Barraclough, Kate Frances Design

HarperCollins Publishers Award for Best Cover

Aberhart Starts Here by Lara Strongman with Laurence Aberhart  (Christchurch Art Gallery Te Puna o Waiwhetū), designed by Peter Bray, Christchurch Art Gallery Te Puna o Waiwhetū

Baby by Annaleese Jochems (Victoria University Press), designed by Keely O’Shannessy

Black Marks on the White Page edited by Witi Ihimaera and Tina Makereti (Penguin Random House), designed by Kate Barraclough, Kate Frances Design, cover illustrator James Ormsby

Huia Come Home by J. Ruka (Oati), designed by Alistair McCready

The Long Dream of Waking: New perspectives on Len Lye edited by Paul Brobbel, Wystan Curnow and Roger Horrocks (Canterbury University Press), designed by Alice Bonifant

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Salt Picnic by Patrick Evans (Victoria University Press), designed by Keely O’Shannessy

Mary Egan Publishing Award for Best Typography

Huia Come Home by J. Ruka (Oati), designed by Alistair McCready

A Moral Truth edited by James Hollings (Massey University Press), cover design by Gideon Keith, Strategy Creative, interior design by Gideon Keith and Carla Sy

New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre

Allen Curnow Biography and Poems Slipcase edition by Terry Sturm. Edited by Linda Cassells, Elizabeth Caffin and Terry Sturm (Auckland University Press), cover design by Sarah Maxey, interior design by Katrina Duncan

Tears of Rangi by Anne Salmond (Auckland University Press), cover design by Keely O’Shannessy, interior design by Katrina Duncan

Ten x Ten: Art at Te Papa edited by Athol McCredie (Te Papa Press), designed by Gideon Keith, Strategy Creative

Allen & Unwin Young Designer of the Year 2018 Shortlist

Rachel Clark for The Art of Simple by Eleanor Ozich (Penguin Random House), Bird Words edited by Elisabeth Easther (Penguin Random House), Heloise by Mandy Hager (Penguin Random House), Hideaways by Hilary Ngan Kee and photography by Sam Stuchbury

Emma Jakicevich for Behind Bars – Real-life stories from inside New Zealand’s prisons by Anna Leask (Penguin Random House), Black Barn: portrait of a place by Gregory O’Brien & Jenny Bornholdt with photography by Brian Culy (Penguin Random House), Colours for Kiwi Babies/ Counting for Kiwi Babies by Matthew Williamson (Penguin Random House), Pieces of You by Eileen Merriman (Penguin Random House), Sleeps Standing by Witi Ihimaera with Hemi Kelly (Penguin Random House)

The winners of each category will be announced at a special ceremony on Thursday 26 July when the Gerard Reid Award for Best Book sponsored by Nielsen Book will also be revealed.

The PANZ Book Design Awards were established by the Publishers Association of New Zealand (PANZ) to promote excellence in, and provide recognition for, the best book design in New Zealand.

—————————– END ————————-

Further details are available at www.bookdesignawards.co.nz

To view finalist cover images, please visit www.bookdesignawards.co.nz

THE JUDGING PANEL:

David Coventon MA PGCE (convenor)
A graduate of the Masters in Graphic Design at Central Saint Martins, David has over 25 years’ experience across music, arts and publishing client base in London and Auckland. David was co-founder of two: design London, course leader of the Bachelor in Graphic Design at Camberwell College, and a key member of the staff and student team that re-started the Camberwell Press.

Back in New Zealand David worked as a graphic designer at Auckland Museum in the Brand and Customer Engagement team for four years. This year he took a Senior Lecturer position teaching graphic design on the Communication Design Bachelor at AUT School of Art & Design.

Janson Chau immigrated from Hong Kong to New Zealand in 1994. Since joining Alt Group as a designer in 2010, he has been involved in graphic, experiential, digital and print design. He has been involved in the design, production and publication of a number of modest books and continues his obsession with the form of the book and a reader’s interaction with idea and content.

Anna Brown is a New Zealand-based designer and typographer. She works collaboratively in book design exploring innovative narrative forms that result in gallery-based experimental book installations and participatory performance works as well as catalogues and artists’ books. Much of her work investigates the concept of the expanded book in a digital age.

Anna taught for eight years in the School of Design at the College of Creative Arts, Massey University, Wellington where she is Associate Professor and Director: Projects and Partnerships.

Kiran Dass is the book buyer for Time Out Bookstore in Mt Eden, Auckland and has 12 years’ experience in the book trade. A writer and reviewer, Kiran has covered books and music for the NZ Herald, NZ Listener, Sunday magazine, Sunday Star-Times, Landfall, Metro, The Spinoff, Pantograph Punch and The Wire (UK).  She also reviews books on Radio New Zealand’s Nine to Noon show and Auckland’s 95bFM.

FOR INTERVIEWS OR FURTHER INFORMATION, PLEASE CONTACT:

Sandra Noakes

on behalf of PANZ, 0275 7676 75

Thanks to our Sponsors

 

Q & A with Hugo Setzer

By News

Headlining the PANZ International Conference in June will be Hugo Setzer, Vice President of the International Publishers Association & CEO of Manual Moderno, Mexico. Hugo recently took the time from his very busy schedule to answer some questions about his role at both IPA and Manual Moderno, and issues facing the publishing industry.

You’re Vice President of the International Publishers Association. What exactly is the role of the IPA?
IPA works to defend publishers’ interests all over the world, especially the promotion of copyright and freedom to publish, along with literacy. Right now I am catching a plane to Toronto to testify on behalf of international publishers as part of the Canadian Copyright Act review. At the same time, the IPA is holding a Regional Seminar in Lagos, Nigeria, attended by our President, Michiel Kolman and our Secretary General, José Borghino.

In your day job you’re CEO of academic publisher Manual Moderno. Could you tell us a little about what that involves? 
Manual Moderno is a medium sized academic publishing house, with headquarters in Mexico City and a subsidiary office in Bogotá, Colombia. We translate many of the books we publish into Spanish, so this takes me every year to Frankfurt. But we also publish a lot of local authors and contact with them is equally important. I have a great executive team at the office, which currently allows me to dedicate more time to IPA.

Do you have a book that you’re most proud of publishing? 
Yes, though it’s not the kind of book we usually do. It is a social responsibility project we developed with teachers of a university and physicians of a hospital. It is a guide for parents with visually impaired children, so they can learn how to better attend to their needs. Thanks to the authors and our suppliers who donated their work, we could provide the hospital with 1,000 hard copies of the guide completely for free, so they could give them to families in need with a case of a visually impaired kid. It’s also available for free in digital format (click here)

Any major international trends in publishing right now that you’re able to share? 
We can see a worldwide attack on copyright. Large companies with their own interests are lobbying against copyright and many people fall for the “information for free” speech. As IPA, with our limited resources, we engage everywhere we can to help our members defend their interests and the copyright laws. Recently we had this debate in Colombia and now in Canada, where I have had the opportunity to work with our members on the ground in defence of copyright.

What are you reading right now?
I am reading Steven Pinker’s Enlightenment Now. Really enlightening!

The PANZ International Conference is taking place on Thursday 28 and Friday 29 June 2018. Programme details are available here. Early bird rates available until 25 May. Don’t miss out book your place here.

 

The best of New Zealand’s children’s books and authors will be on international display this week at the Bologna Children’s Book Fair

By Media Releases, News

PANZ-Logo

 

 

 

PRESS RELEASE

Monday 26 March 2018: For immediate release

This year, for the first time, the Publishers Association of New Zealand (PANZ) has taken a stand at the Bologna Children’s Book Fair.  This Fair has been the reference event for publishers, authors, illustrators, literary agents and professional involved in the world of publishing and content for children for 55 years.

Local publishers making the most of this opportunity to showcase their books to the world include Gecko Press, Oratia Media, Upstart Press, Millwood Press, Black Chook Books and One Tree House. The kiwi contingent also includes literary agent, Frances Plumpton.

Two publishers, Oratia Media and OneTree House have been nominated for the Best Children’s Publishers of the Year.  This award acknowledges the achievements of six publishers, one for each of the six areas of the globe (Europe, Africa, Asia, North America, South and Central America and Oceania).  Nominees for this award are considered to have stood out for their creativity, courage and quality of their editorial choices.

New Zealand authors and illustrators are also under the spotlight.  Award-winning illustrator, Donovan Bixley will deliver a workshop and a talk at the Illustrators Survival Corner during the week, as will illustrator/publisher Martin Bailey.

The highlight of the Fair is the announcement of revered Hans Christian Andersen Award.  One of New Zealand’s most successful children’s authors, Joy Cowley ONZ is on the shortlist of five. The winner will be announced on Monday 26 March (Tuesday 27 March, morning, New Zealand time).

‘The children’s book market in New Zealand is thriving,’ says Catriona Ferguson, Association Director,

Publishers Association of NZ.  ‘A number of new children’s publishers have sprung up over recent years, complementing books published by existing successful children’s publishers such as Gecko Press and Scholastic New Zealand.’

The New Zealand presence at the book fair is supported by Creative New Zealand.

FOR FURTHER INFORMATION, PLEASE CONTACT:

Sandra Noakes, Tel 0275 767675 or Catriona Ferguson, T 02102482637

On behalf of Publishers Association of New Zealand

www.publishers.org.nz

www.facebook.com/PublishersAssociationNZ/

 

PANZ Digital Marketing workshop review

By News

Ex cyclone Gita couldn’t keep the eager participants of the PANZ Digital Marketing Workshop – Creative Engagement, away yesterday.  With more than 30 attendees the room was at maximum capacity.

The workshop started in high gear with an insightful and inspiring look at the This Girl Can campaign; a UK government funded campaign aimed to get women exercising. The campaign was launched after research showed a significant disparity between the numbers of men and women in the UK who were involved in sports and exercise.  Dan West, Digital Strategy Director for FCB (a major advertising agency also responsible for such iconic campaigns as the PAK ‘n SAVE stick man and the Farmers Christmas campaign) was tasked with managing the This Girl Can campaign and tackling this thorny issues. Dan talked through the complexities of the campaign and challenges faced in the digital realm, offering practical as well as inspirational ideas.

Hayley Miller, partner at Kensington Swan is passionate about privacy law and her session reminded everyone about the care that must be taken when managing databases that hold personal information.  Hayley stayed on for lunch to continue answering questions, of which there were many with one attendee remarking “I never knew privacy laws could be so interesting”.

Tyne Brocklehurst’s more interactive and practical style got the room buzzing after lunch with participants invited to come up with their own social media promotion ideas and her talk on e-newsletters offered practical and helpful tips and tricks.

The final session of the day, featured Leonie Barlow and highlighted her one woman approach to navigating the digital space. Leonie is one of New Zealand’s leading ‘Influencers’ and she talked about her strategy for building followers and her personal approach to social media and YouTube.

Networking drinks and nibbles concluded the day allowing the discussion to continue and ideas and wine to flow.

Our grateful thanks to the National Library for the use of the space.

Rotorua Noir – New crime festival coming to Rotorua in 2019

By News

Grant Nicol

With its bubbling mud and steaming pressure Rotorua may be the perfect setting for a crime novel (Ngaio Marsh certainly thought so in 1943 when she penned Colour Scheme) and in 2019 it will be the hub for book lovers as Kiwi crime takes centre stage at New Zealand’s very own crime festival Rotorua Noir.

The festival founders are Kiwi crime writer Grant Nicol and Craig Sisterson, who is also the founder of the Ngaio Marsh Awards. In fact Rotorua Noir will also be celebrating 10 years of the fabulous Ngaio Marsh awards. Grant has recently returned to New Zealand from Iceland where he helped organise the Iceland Noir crime writing festival in 2016 and hopes to bring some of its ideas to New Zealand for Rotorua Noir.

Craig and Grant met in Iceland, when they both attended Iceland Noir in Reykjavik. On moving back to New Zealand Grant decided it was “time to have our own festival to celebrate Kiwi crime writing. Craig has done a great deal over the last few years to champion the cause of New Zealand crime writers so I had no hesitation in calling him up and asking for his help when I came up with the concept.”

Craig Sisterson

Planned for early 2019 (probably January or February says Grant) the exact venue is yet to be selected but will be announced shortly and the ball is well and truly rolling. The festival will incorporate two days of panels featuring local and international crime writers discussing their craft and a day of workshops for local writers to attend. “We already have four authors from overseas who have agreed to attend, as well as many Kiwis – but there will also be writing workshops, author readings and a North Island vs South Island cricket match” says Grant. “We will be looking to involve the local community as much as possible and will be utilizing a local arts venue as well as one of Rotorua’s book shops. I want to get as many of New Zealand’s crime writing community together under one roof and give the public the chance to listen to them and meet the people responsible for creating so many fine books.”

Any publishers with authors interested in appearing at the festival can contact Grant here. You can also keep up to date with the festival progress on Facebook and Twitter @RotoruaNoir2019

Congratulations to Yale scholarship recipient Rachel Lawson of Gecko Press

By News

The hotly contested W.E. and M.L. Forde Scholarship to attend the Yale Book Publishing Course in Connecticut, USA reached a head last week as the selection panel met to decide who would be the lucky recipient.  With applications from top publishing executives across a wide range of publishing fields it was no straight forward task.

PANZ is delighted to announce that Rachel Lawson, Assistant Publisher at Gecko Press will be heading to the US to take up this opportunity in July next year.

Panel member and Yale Publishing Course alumnus Sam Elworthy said “It was a great and slightly daunting experience sorting through the applicants for the Yale Publishing Course because the best and brightest from our industry had come forward, keen to develop the international relationships and gain the strategic insight that one gets at Yale.

After considerable discussion, we settled on Rachel Lawson for this year’s scholarship. Rachel works for one of our fine independent publishers, Gecko Press; she is deeply involved in new strategic directions for the Press; and she has broad experience in publishing. We wish her well and encourage the other great applicants to put their names up again next year. What a great legacy for Margaret Forde to leave to the industry.”

Rachel who has been Assistant Publisher at Gecko Press for two and a half years and in the publishing industry for over 25 said “I feel very very lucky! I’m looking forward to everything I can learn about how to do things better, the international perspectives, new contacts and new ideas—and bringing it all back to Gecko Press. Seeing how businesses are working in other countries and the focus on new ways of thinking is so useful for a business like Gecko Press with our international model but tiny size! Thank you to the Forde family and PANZ for the fantastic opportunity.”

In 2018 the Yale Publishing course will run from 29 July – 3 August. The course is a week-long intensive classroom-based course for mid- to senior-level professionals in all areas of publishing. It tackles timely issues facing publishing professionals, giving a candid inside look at lessons learned by industry leaders as well as forward-looking approaches to publishing as a global enterprise.

Congratulations Rachel! We look forward to reporting back to members on Rachel’s experiences in due course.

For more details on the W.E and M.L Forde Publishing Scholarship click here.

If you are interested in an international career changing course don’t forget that the PANZ International Career Development Fund is available to members with funding of up to $3,000 available to attend an international course, internship or fellowship.
More details here.

2018 Creative New Zealand Publishing Internships Announced

By News

L-R: Samantha Chorley, Sucheta Raj & Olivia Nikkel

Congratulations to the successful recipients of the 2018 Creative New Zealand Internships Initiative. PANZ is delighted to announce that in 2018 Samantha Chorley will intern with Victoria University Press; Olivia Nikkel  with Bridget Williams Books and Sucheta Raj with Allen & Unwin.

Helen Heath, Programme Leader, Publishing at Whitireia New Zealand, says “It was a very difficult decision as there were so many strong applications but we are very pleased with these selections and think they not only meet the job requirements well but will suit the ethos of each placement. Whitireia publishing graduates have a reputation for excellence for good reason. If these young people are the future of New Zealand publishing then we can all rest assured we are in good hands”

The Creative New Zealand National Publishing Internships Initiative, administered by PANZ, provides internship opportunities each year for three new graduates of the Whitireia New Zealand publishing course to enter the industry. The programme has produced some impressive results in past years with many publishers choosing to offer the interns full-time positions at the end of the programme, and a number of former interns now hold senior positions in publishing companies.

”Allen & Unwin New Zealand is delighted to be welcoming a Whitireia intern into the team for the next six months. It’s a brilliant opportunity to introduce new insight and thinking from someone new to our industry, as well as tackle many projects that in an otherwise busy team, would likely stay on the back-burner.” Says Allen & Unwin New Zealand Director Melanie Laville-Moore.

For more details on the Creative New Zealand National Publishing Internships
Initiative click here.

Publishers Association Appoints New Council

By Media Releases, News

PANZ-LogoThe Publishers Association of New Zealand (PANZ) has appointed its new officers and councillors for the 2017–18 period.

The new council elected at the association’s AGM on 14 July consists of:

President: Peter Dowling (Oratia Media)

Immediate Past President: Melanie Laville-Moore (Allen & Unwin)

Vice President: Melanee Winder (Hachette NZ)

Councillors: Alex Collins (Lift Education), Debra Millar (Penguin Random House NZ), Sandra Noakes (HarperCollins NZ), Tom Rennie (Bridget Williams Books), Tracy Strudley (Global Education Systems)

At the AGM, Melanie Laville-Moore paid tribute to two council members stepping down after long and valuable service.

PANZ is indebted to the contribution of departing councillors Sam Elworthy (Auckland University Press) and Julia Marshall (Gecko Press), and to the leadership over the past two years of Melanie Laville-Moore.

The council will hold its first meeting in Auckland on Wednesday 16 August.

———– END ———–

FOR INTERVIEWS OR FURTHER INFORMATION, PLEASE CONTACT:

Sandra Noakes

on behalf of PANZ, 0275 7676 75

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